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Cinema Rat - Sifting through the Garbage to bring you the GOOD STUFF

Cinema Rat - June 2009

Year One- "Let There Be Laughs!"

Jack Black (School of Rock, High Fidelity) is a likable guy. His style of comedy is largely physical and he is able to use his very expressive face to great effect. This is evident here, with his wide-eyed enthusiasm and general swagger, embodying the cave-man-esqe characature that he seems so suited for. Michael Cera(Juno) is his younger, smarter, virginal friend. His timid demeanor is the perfect counter-balance to Black's bravado.

The movie encompasses a large time span is a very short run time (97 mins) but its cracking pace, hums along nicely enough to keep the viewer engaged and entertained. We meet Cain and Abel, and traverse the biblical cities of Sodom and Gomorra, and fight alongside Roman soldiers. We also experience the wonders of ' the wheel" and learn that those basic instincts such as hunting gathering and clubbing your prospective mate over the head and dragging her back to your cave, aren't as productive for this developing civilisation as our history books would lead us to believe.

My criticisms here stem from the lack of screen time that Hank Azaria (The Birdcage, Night at the Musuem 2)and Paul Rudd (Role Models)are allowed. Both are underutilised and I thought it was quite a shame to waste their talents. Having recently seen movies featuring them though I can only gather that time and or budget constraints were the cause of their limited screen time.

All in all director Harold Ramis has delivered another quality comic outing. I wouldn't put it on par with Groundhog Day or Analyze This, but it was a boulder of laughs.

This Neanderthal gives it 3/5.

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Angels & Demons - "Everyone's a Sinner Baby..."

Tom Hanks and Ron Howard, are a match made in Box Office Heaven. Like Ridley Scott and Russell Crowe or Scorsese and De Niro . These marriages of talent have generated some of the best on screen action and drama in the last 30 years.


Hanks and Ryan first worked together in 1984’s Splash, and more recently in the Da vinci Code. This latest re-teaming is a prequel to the aforementioned Da vinci Code a universally popular work of fiction that made its way onto the big screen in a big way and not for all the right reasons, deeply offending the Catholic church and polarising the religious community.


Tom also suffered his own “make up malfunction” with an amusing haircut that was supposed to make the character look for refined. Sadly this served as a comedic plot pot through the movie and made it a hard task for the audience to take the character seriously.


This time around, the hair is shorter and so is the length of the scenes, the whole thing seems quicker, and this is aided by signposts in the dialogue that restrict the movie to the course of a single day. Howard must have taken a few cues from Brian Grazers' ‘24’ with this one as the anticipation of the impending doom does serve to draw in the viewer.


The comparisons with 24 stop there though, as Tom Hanks and Keifer Sutherland are worlds apart in terms of action hero status and you cant help but sympathise with Tom Hanks, as he notably seems uncomfortable in the action genre.


Ewan McGregor as the Camerlengo Patrick Mckenna who steps in to run the Vatican after the death of the Pope, plays a convincing priest whose Irish dialect is at odds with McGregor's Scottish heritage.

The plot centres around the Large Hadron Collider being vandalized and precious anti-matter being stolen, and used as part of a terrorist attack on the Vatican, by the Illuminati an ancient secret society that believed science held the answers to the theory of evolution and creation and that God hand’s had nothing to do with it. A taboo in the Holy City.


If I had a criticism other than heavy going religious dialogue, it would be the accents used by non-Italians in the movie. Some more thorough work could have been done with dialects that would have enhanced credibility somewhat.


Dan Brown’s rhetoric of religion Vs Science is still evident throughout, though this time around its not a one-sided war.


“ Be careful, these are men of God after all”

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4/5
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Oberve & Report - "Observational Comedy"

MATURE CONTENT
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Star Trek -" Beyond The Unknown"

Let it be said that I am not a "Trekkie". I have barely seen the series and none of the previous movies. Having only basic knowledge of the characters I went into this movie with no misconceptions. Zachary Quinto, Chris Pine, Anton Yelchin,, Simon Pegg(Hot Fuzz), and Mr. Leonard Nimoy should all be very proud of themselves.

A notable performance from Eric Bana (Black Hawk Down, Troy) as Nero is also worth mentioning, in a physical transformation that even his own agent said he didn't recognise


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State of Play - Capitol Punishment

Kevin Macdonald (The Last King of Scotland) helms a gritty political/media thriller that is both above-par and engrossing yet exposes the inside scoop on gritty Capitol Hill maneuvers. Ben Affleck is back on point with this one and his turn as director (Gone Baby Gone) must have taught him a thing or two about the business, as we have almost all but forgotten his cinematic faux pas.

His credibility is propped up by Russell Crowe (American Gangster, Gladiator), who plays a reporter for a leading broadsheet newspaper who's belief in "real news" is under threat from young blood hired to turn the newspapers readership around by taking it online and making it easily digestible . This young blood, played with zest by Rachel McAdams (The Notebook), represents new media, the rise of the blog


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Night At The Museum 2 - American History (Gen) Y

Ben Stiller (Zoolander) is a very funny man. That is always true, and still the case in this movie. In this sequel, his charatcter Larry Daley has advanced beyond his security guard past to have his own "nifty appliances" company and continual info-mercials spruiking them on TV, the newest of which is the glow-in-the-dark flashlight. A necessary tool for any guard, especially a night guard at a museum.

His fondness for his past at the Natural History Museum gets the better of him however and he decides to revisit his old friends after an extended hiatus to find that the exhibits he once befriended are being packed up and shipped out, to the National Archives; the Smithsonian


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Sunshine Cleaning - Blood Clots & Family Ties

Sunshine Cleaning features more than just the name and inclusion of Alan Arkin in comparison to " Little Miss Sunshine". Sunshine is also an independent gem that found acclaim on the festival circuit and is sure to be a sleeper hit at the cinema. As well as Arkin it also features Amy Adams as Rose Lorkowski and Emily Blunt as Norah Lorkowski in it's line up.

These two female actors have contributed a lot to cinema in their reasonably short careers and this picture showcases their range and alludes to greater things to come


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